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AOTO Powers DAWA Studio Phase II in Chongqing with a 3,000 sqm Virtual Production Studio, Setting a New Benchmark for Industrialized Filmmaking in Western China

We’ve powered the launch of DAWA Studio Phase II in Yongchuan, Chongqing, bringing a 3,000 sqm virtual production studio online as part of one of the most advanced virtual production developments in Western China.

Designed for high-end film and TV production, the studio reflects a clear shift toward more scalable, production-ready virtual workflows—moving beyond experimentation into everyday use.

At the center of the studio is our RM1.9 LED display system, forming a large-scale LED volume with a 60-meter-wide, 10-meter-high curved main wall, supported by four movable extension panels (7m × 4.5m each). The setup is built to match the demands of real-world production, giving crews the flexibility to move quickly while maintaining consistent on-camera results.

On the processing side, the system runs on Brompton Technology’s Tessera platform, with 30 Tessera SX40 4K processors and 60 Tessera XD 10G data distribution units. This combination ensures clean on-camera performance, stable output under challenging shooting conditions, and accurate color reproduction across the entire volume.

From a production standpoint, the studio is designed to handle fast-paced, complex shoots. High refresh rates and low latency support smooth capture of motion-heavy scenes, while high contrast and color accuracy help minimize reflections and color inconsistencies. Scenes can be switched quickly, and the system integrates seamlessly with mainstream real-time rendering workflows.

In practical terms, this means productions—especially those involving complex environments like sci-fi or fantasy—can be executed far more efficiently. Compared to traditional approaches, production costs can be reduced by up to 90%, with overall efficiency gains exceeding 55%.

Beyond the LED volume, the studio integrates technologies such as real-time digital human systems, AI-based image segmentation, and SMPTE ST 2110, helping standardize workflows and making virtual production a more repeatable, reliable tool for content creation.

For us, this project is another step in seeing how LED display technology is becoming core infrastructure for modern filmmaking. As more studios move toward industrialized production models, the focus is no longer just on what’s possible—but on what’s practical, repeatable, and scalable.

This is no longer a future direction—it’s already taking shape, and we’re part of that shift.

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